the outline and covering up all the details. Political speech and writing are generally in defence of the indefensible and so lead to a euphemistic inflated style. Further reading edit External links edit. Never once, while analyzing the political writers he despises, does he say that he can't stand those who simply "toe the line.". You cannot speak any of the necessary dialects, and when you make a stupid remark its stupidity will be obvious, even to yourself. The connection between thought and language is the place where he focuses. Professor Lancelot Hogben interglossia ). People who write in this manner usually have a general emotional meaning they dislike one thing and want to express solidarity with another but they are not interested in the detail of what they are saying. It will be seen that I have not made a full translation. Adjectives like epoch-making, epic, historic, unforgettable, triumphant, age-old, inevitable, inexorable, veritable, are used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic colour, its characteristic words being: realm, throne, chariot, mailed fist, trident, sword. Dictionary of English Usage.
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Where it is not true, it will generally be found that the writer is some kind of rebel, expressing his private opinions and not a party line. Still, if you or I were told to write a few lines on the uncertainty of human fortunes, we should probably come much nearer to my imaginary sentence than to the one from Ecclesiastes. I think the following rules will cover most cases: Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. On the one side we have the free personality: by definition it is not neurotic, for it has neither conflict nor dream. But in between these two classes there is a huge dump of worn-out metaphors which have lost all evocative power and are merely used because they save people the trouble of inventing phrases for themselves. 40"d in Rodden 1989,. . 393 Goodman, Paul (July 1945). Recall the definition of love. In (4 the writer knows more or less what he wants to say, but an accumulation of stale phrases chokes him like tea leaves blocking a sink.