being forcefully removed from their home. Tsepo Mokone as the catalytic intruder should get this years award for best performance in a foreign language. Lena does not share this racism and gives the old man water when Boesmans back is turned. Boesman acts on his most bitter and jealous instincts, trying to destroy the hope and life inside of Lena. Kong rithrina, MD). In the late-1960s, as it had been for many years before, South Africa was controlled by its white citizens, Dutch settlers who colonized the country and displaced the indigenous black people.
The language difference underscores the fact that the old man is an outsider to even Boesman and Lena, themselves outcasts from mainstream (predominantly white) South African culture. Having recently been to the museum I noticed a few things which are bias in their representation and dont give the complete story. During the play, however, Lena undergoes a transformation that shows she is more than an object for Boesman's fists. Lena barters with Boesman foregoing her wine for the old mans presence. Boesman Lena can be seen as a metaphor for oppressed people of all nationalities, an exploration of the difficulty in relationships between men and women, and the need for human kindness, compassion, and hope. Lena tells him to go back to sleep, but Boesman is agitated by the old mans continued presence. In my judgment I feel that both possible utilitarian benefits of building the Caltex plant in 1977 and the violations of moral rights and of justice involved.
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